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Notable Releases of 2022 (So Far)
As artists continue to reassemble themselves after being perpetually shut inside for over a year and a half–many of them refusing to release music until they’re able to tour again–new records in 2022 are continuing to illuminate what each artist’s process of self re-examination looks like in light of the pandemic. Here is a list […]
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Live Review: Guerilla Toss at TV Eye
Raw, uninhibited chaos has always been a hallmark of the live experience for neo-psych noise pioneers Guerilla Toss, and their April 29 show at TV Eye was no exception. Their openers LLVX and Operator Music Band served as excellent primers for the audience with minimal ambient, jazzy grooves. But as soon as Guerilla Toss took […]
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Dropper: Screaming Internally with a Smile Upon Your Face
Brooklyn indie rock stalwart Andrea Scanniello has experienced all sides of the Big Apple’s gritty underbelly. After nearly a decade of working in the service industry and participating in the local Brooklyn DIY scene as a multi-instrumentalist in bands like Russian Baths, TVOD, and High Waisted, Scanniello began journaling about her many grievances with adult […]
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Prismia: Embracing Rebirth on ‘Amongst the Emerald Mind’
Anna Mariko Seymour of Seattle-based rock outfits The Morning After and Destination Unknown is a multi-hyphenate — producer, vocalist, Berklee graduate, drummer. Now she can add solo act to that list as she enters the newest phase of her career under the moniker Prismia, making ethereal synthrock paeans — think Lykke Li and Santigold with […]
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Live Review: Colleen Green at The Sultan Room
When it comes to crafting irresistibly catchy guitar pop with serious character, nobody weaves sardonic lyrical humor with ruminations on emotional detachment quite like Colleen Green. After a six-year hiatus following the critical success of her 2015 sophomore album I Want to Grow Up, Green tapped indie producer extraordinaire Gordon Raphael (The Strokes, Hinds) to […]
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Cherry Pit Excises Paranoia on Debut EP ‘What a Pity’
Hailing from Richmond, Virginia, Natalie Comer — formerly known as Lydia Hearst from the experimental noise rock duo MORE GIRL — is making her solo debut under the moniker Cherry Pit. In true DIY fashion, Cherry Pit’s debut EP What a Pity was recorded in Comer’s bedroom. Partially inspired by their love of horror-based media […]
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Live Review: SASAMI at Music Hall of Williamsburg
Like Rina Sawayama crashing a Harley on speed, SASAMI has set a gold standard for wholesale showmanship on her latest tour supporting her newest album of nu metal-inspired paeans. The former classical composer-turned-indie-icon took the stage at Music Hall of Williamsburg on Friday. Her backing band were the first to emerge, three long-haired men who […]
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Live Review and Q&A: Trophy Wife at The Mercury Lounge
As her name would suggest, the musical output of Trophy Wife—the solo project of 21-year-old Berklee student McKenzie Iazzetta—is inherently subversive. Her songwriting and her distinct vocal delivery constantly contradict one another, with lyrics where she leans into the role of the austere and unaffected “cool girl” trudging her way through the endlessly messy charade […]
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Riot Antigone Transforms a Maligned Heroine into a Symbol of Feminist Reclamation
When writer/director Seonjae Kim originally conceived an off-off broadway play and rock concert based on the Sophocles greek tragedy Antigone, it was always the plan to make the titular character and her greek chorus into a riot grrrl band. But Kim never could have predicted how popular and in-demand the production would become within New […]