Today, California-based indie songstress and self-proclaimed “technological maximalist” Roo debuts her first ever single “Glo,” which she co-produced with JJStewart. “Glo” is an experimental dark pop tale about toxic relationships and the struggle to navigate queer romance.
Opening with frosty coldwave synths and static white noise, the track envelopes the listener in a ghostly sonic embrace that could easily go toe-to-toe with Portishead’s Dummy. Before Roo herself even utters a word, the song will already have the listener hooked and stopped dead in their tracks. Roo pulls absolutely no punches in this grandiose artistic introduction to the world, and what an opening statement it is.
The lyrics show Roo laying bare her emotional vulnerability and pleading with the subject of the song to do the same. “How could I be enough,” she preens in the second verse with a Bjork-style cadence over eccentric production, distorted and accentuated telephone-filtered vocals, coarse basslines, and spiky 808s, adding a distinct R&B groove to this experimental synthpop masterpiece.
I had the privilege of chatting with Roo about her artistic introduction to the world, how her computer science degree has been a valuable asset in her experimental production, and what she anticipates for future career moves.
“Glo” feels like an amalgamation of trip-hop, neo-psych/soul, and dream pop, which I loved. How did the process of building a sonic landscape for the single come about?
My approach toward production is about play and intuition rather than rules, which is what gives me my genreless sound. My genius friend JJStewart created the original composition, then we went through transforming pieces to achieve the feeling we wanted. I did some pretty off-the-wall vocal production on this one, trusting my ear and pushing things further and further out of the box. It was a blast.
How has your computer science background and affinity for technology informed your music?
A lot of experienced producers I’ve met don’t understand the nitty gritty of how their plugins work – but I do. And I’m pretty nimble with signal routing, which is how I achieve some of my more experimental sounds.
Also, I taught myself to produce over the past year. So much of coding is teaching yourself new skills, so I’m good at that – especially because production/mixing is really technical.
I ask everybody this because I’m always curious to know; what are some records that you’ve heard throughout your life that changed everything for you?
I’m very inspired by Vōx; Swim Good is one of my faves. The vulnerability and use of emptiness contrasted with the heavy bass and grit – it’s something I’ve never heard before.
Reconstruct by Photay is another one that ends up on repeat all the time. His composition is so off-the-wall, so clean, so effortless.
And all of Miss Anthropocene by Grimes. She was hugely influential to me before I learned about her relationship with Elon. The dystopian techno-fantasy universe she built completely blew my mind.
How has songwriting helped you traverse your individual experiences related to romance and identity?
I process experiences through songwriting that I couldn’t hope to in my journal. It’s a direct lens into my intuition. Sometimes I won’t even understand what I’m feeling until I sing about it, or I’ll figure out what to do next through the creative process.
Glo is about toxic love that I experienced while learning to navigate queer romance. My journey into queerness is a huge driving force in my music. I can’t wait to share more of that with my audience.
What is your current number-one played song on Spotify or Apple Music?
This is my first song out, so “Glo!”
What artist–living or dead–would be your dream collaboration?
SOPHIE. Rest in peace. A true visionary. Her enormous, mind-bending sounds with my haunting atmospheric flavor – a tasty futuristic blend.
Since Glo is your first single, what is the number-one thing you’re anticipating once it’s finally out to the public?
I’m really just excited to get on the map. Expectations will certainly be created based on this one project; I can’t wait to break them.
“Glo” is now available to stream and download.